
Anni Albers, early Bauhaus Years, 1920s. Photo: Josef and Anni Albers Foundation.
“When I got to the Bauhaus I found that every student who entered there had first to go through a preliminary course and then choose one of the workshops. And I wasn’t at all interested in those workshops really. Because the metal workshop I felt was painful to the hands. The woodworking workshop was so terribly hard, lifting lumber and so on. The wall painting I couldn’t stand. I’d be standing on a ladder and getting all dirty every day. In the distance I saw my husband in the glass workshop, in the stained glass workshop. And I thought that was rather intriguing. The material and the men working and him in the distance there, you see. And I was told that there wasn’t a chance to get into that workshop because there were so very few chances to execute a stained glass window. And there was one man that was already there; that was all. So the only thing that was open to me was the weaving workshop. And I thought that was rather sissy.”
Anni Albers